Wind onshore 10.5 GW dominates the right third of the scene as dozens of three-blade wind turbines with white lattice towers and detailed nacelles, rotors turning slowly in light wind, stretching across rolling green spring fields. Natural gas 9.4 GW fills the centre-right as a cluster of compact CCGT power plants with tall single exhaust stacks venting thin white plumes. Brown coal 6.7 GW occupies the left side as massive hyperbolic cooling towers emitting thick billowing steam into the heavy sky. Hard coal 6.1 GW appears just left of centre as a large conventional power station with blocky boiler houses, conveyor belts of black coal, and twin chimneys trailing grey smoke. Biomass 4.2 GW is rendered as a mid-sized industrial facility with rounded storage silos and a modest stack, nestled between the coal and gas plants. Solar 3.9 GW appears as a small field of aluminium-framed crystalline silicon panels in the mid-ground, their surfaces dark and unreflective under the overcast sky, clearly producing little. Hydro 1.8 GW is a concrete dam and penstock visible in a valley on the far left, with a modest flow of water. Wind offshore 2.3 GW is suggested by a distant line of turbines barely visible on a grey North Sea horizon at the far right edge. The sky is 100% overcast at dusk — 18:00 in April — with a narrow band of muted orange-red glow along the lowest horizon line, rapidly fading upward into heavy slate-grey and charcoal clouds that feel oppressive and low, reflecting the 148 EUR/MWh price tension. The atmosphere is thick, humid, moody. Early spring vegetation: fresh pale-green grass and bare-branching trees just beginning to leaf out, temperature around 11°C suggesting cool dampness. Painted in the style of a highly detailed 19th-century German Romantic oil painting — rich impasto brushwork, atmospheric perspective with hazy industrial depth, Caspar David Friedrich's sublime mood merged with meticulous engineering accuracy of each power technology. No text, no labels.