Wind onshore 13.1 GW dominates the right half of the scene as dozens of tall three-blade turbines on lattice towers stretching across dark rolling hills, blades turning slowly in light wind; natural gas 10.2 GW fills the centre-right as a cluster of modern CCGT power plants with slim exhaust stacks venting pale plumes lit by sodium floodlights; brown coal 6.9 GW occupies the left-centre as three massive hyperbolic cooling towers emitting thick steam columns glowing amber from facility lighting, with conveyor belts of lignite visible below; hard coal 5.5 GW sits to the left as a coal-fired station with a tall rectangular boiler house and twin chimneys trailing grey smoke; biomass 4.6 GW appears in the lower-left foreground as a mid-sized industrial plant with a timber yard and a single stack emitting faint white exhaust; wind offshore 1.7 GW is suggested in the far distance at the horizon as a faint line of tiny red aviation warning lights on turbines; hydro 1.5 GW is a small dam structure nestled in the lower-right valley with water glistening under lamp light. The sky is completely dark, deep navy-black, 100% overcast with no stars and no moon, no twilight glow—pure nighttime. The only illumination comes from sodium-orange streetlights lining a road in the foreground, harsh white industrial floodlights on the power stations, and the ruddy glow of furnaces reflecting off steam plumes. The atmosphere feels heavy and oppressive, reflecting the high electricity price—low clouds press down on the scene, trapping the industrial light in a hazy amber canopy. Spring vegetation is barely visible: bare branches and early green grass faintly lit near the road. Temperature near 9°C suggests cool damp air with slight mist. Rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape art—rich impasto brushwork, dramatic chiaroscuro between deep shadow and industrial firelight, atmospheric depth with the distant offshore lights dissolving into haze. Each technology painted with meticulous engineering accuracy: three-blade rotor profiles, nacelle housings, cooling tower parabolic curves, CCGT turbine hall structures. The mood evokes Caspar David Friedrich reimagining an industrial nightscape—sublime, brooding, vast. No text, no labels.