Natural gas 10.2 GW dominates the centre-left as a sprawling CCGT power station with tall single exhaust stacks venting pale heat plumes into the night; brown coal 6.9 GW occupies the left background as three massive hyperbolic cooling towers with thick white steam columns rising against the black sky; hard coal 4.9 GW appears as a smaller conventional power station with a single rectangular chimney and conveyor belt silhouette just right of centre; wind onshore 12.7 GW spans the entire right third and recedes into the distance as dozens of three-blade turbines on lattice and tubular towers, their red aviation warning lights blinking in slow rhythm; wind offshore 1.6 GW is suggested by a faint cluster of turbine lights on the far horizon; biomass 4.4 GW appears as a compact wood-chip plant with a modest stack and warm amber glow near the centre-right foreground; hydro 1.5 GW is a low concrete dam with dark rushing water in the immediate foreground, lit by a single sodium floodlight. The scene is set at 23:00 in central Germany in mid-April — the sky is completely black with no twilight, no stars visible through 100% cloud cover, creating an oppressive low ceiling reflecting the high electricity price. The atmosphere is heavy and humid at 8.7 °C, with light mist clinging to the ground and the faint smell of damp spring earth implied by new green grass and budding trees barely visible in the sodium-yellow glow of industrial perimeter lights. Wind is gentle at 4.5 km/h so turbine blades rotate slowly. The colour palette is dominated by deep navy-black sky, warm orange-amber industrial lighting, and ghostly white steam plumes. Painted in the style of a highly detailed 19th-century German Romantic oil painting — rich impasto brushwork, atmospheric chiaroscuro, dramatic tonal depth — yet every turbine nacelle, cooling tower profile, and CCGT exhaust stack is rendered with meticulous engineering accuracy. No text, no labels.