Brown coal 8.7 GW dominates the left third of the scene as a cluster of massive hyperbolic cooling towers with thick white-grey steam plumes rising into the darkness; natural gas 8.5 GW fills the centre-left as several compact CCGT power blocks with tall single exhaust stacks emitting thin heated plumes, lit by sodium-orange industrial floodlights; hard coal 4.4 GW appears centre-right as a gritty coal-fired station with rectangular boiler houses and conveyor belts visible under floodlight; wind onshore 10.5 GW spans the right third as dozens of tall three-blade turbines on lattice and tubular towers stretching across a dark rolling landscape, red aviation warning lights blinking on nacelles; wind offshore 1.7 GW is suggested by a faint line of turbine lights on the far-right horizon over a barely visible sea; biomass 4.2 GW appears as a mid-ground industrial plant with a wood-chip silo and modest stack glowing warmly; hydro 1.5 GW is a small run-of-river station nestled by a dark river in the foreground, its weir faintly reflecting artificial light. The sky is completely black to deep navy, 100% overcast, no stars, no moon, no twilight glow—pure nighttime darkness at 2 AM in April. The atmosphere feels heavy and oppressive, reflecting the high electricity price. Temperature around 8°C: early spring vegetation is sparse and dark, bare branches on some trees, fresh grass just emerging. Ground is damp. Sodium streetlights cast orange pools along a small road threading between the facilities. Smoke and steam merge into the low overcast above. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters—rich, dark palette of indigo, charcoal, amber, and ochre; visible confident brushwork; deep atmospheric perspective; meticulous engineering detail on every turbine nacelle, cooling tower shell, conveyor structure, and exhaust stack. The scene evokes the sublime tension between industrial might and the enveloping darkness of a spring night. No text, no labels.