Brown coal 9.6 GW dominates the left quarter as a cluster of massive hyperbolic cooling towers with thick white-grey steam plumes merging into the overcast sky, surrounded by open-pit lignite excavation terraces in ochre and brown earth; natural gas 9.9 GW fills the centre-left as a row of modern combined-cycle gas turbine plants with slender exhaust stacks trailing heat haze; wind onshore 6.7 GW occupies the centre-right as dozens of three-blade turbines on lattice and tubular towers arrayed across a gently rolling green April landscape, blades rotating in moderate wind; wind offshore 1.7 GW is glimpsed far in the background as a line of turbines on a grey horizon beyond a distant estuary; solar 6.4 GW appears as a mid-ground field of aluminium-framed crystalline silicon panels reflecting only the dull grey sky — no sunlight on them, purely diffuse light; hard coal 4.3 GW sits to the far left as a compact coal-fired station with a single large chimney and conveyor belts carrying dark fuel; biomass 4.5 GW is rendered as a wooden-clad combined heat and power facility with a modest stack and wood-chip storage dome near the centre; hydro 1.5 GW appears as a small concrete run-of-river weir with white water cascading through turbine gates at the right edge near a tree-lined riverbank. The sky is completely overcast at 100% cloud cover — a uniform blanket of heavy grey stratus with no breaks, no sun disc visible, casting flat diffuse daylight consistent with 08:00 Berlin time in mid-April. Direct solar radiation is near zero, so no shadows fall anywhere and the light is soft and even. Temperature is 7.7 °C: early spring, trees show first pale green buds but no full foliage, grass is fresh but low, patches of last winter's brown remain. The atmosphere feels heavy, oppressive, and dense — reflecting the very high electricity price of 164.5 EUR/MWh — with a brooding weight pressing down on the industrial panorama. High-voltage transmission lines with steel lattice pylons stride across the middle distance, symbolising the massive import flows. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich and Carl Blechen — rich, moody colour palette of slate greys, muted greens, warm industrial ochres and coal blacks, visible impasto brushwork, atmospheric aerial perspective with haze softening distant objects, meticulous engineering accuracy in every turbine nacelle, cooling tower curve, and panel frame. No text, no labels.