Brown coal 9.1 GW dominates the left third of the scene as a cluster of massive hyperbolic cooling towers with thick white steam plumes rising against a dusk sky; natural gas 9.5 GW fills the centre-left as a row of modern combined-cycle gas turbine plants with tall single exhaust stacks emitting thin heat haze; hard coal 4.5 GW appears centre-right as a pair of older coal-fired stations with rectangular chimneys and conveyor belts feeding dark coal heaps; solar 6.1 GW occupies the right-centre foreground as extensive rows of aluminium-framed crystalline silicon photovoltaic panels catching the last orange-red rays of low sun; wind onshore 4.1 GW is rendered as a modest line of three-blade turbines on rolling green hills at the right edge, blades turning slowly in light breeze; biomass 4.3 GW appears as a timber-clad biomass CHP plant with a modest stack amid stacked wood-chip piles in the mid-ground; hydro 1.5 GW is a small run-of-river weir with turbine house visible along a river in the far right background; wind offshore 0.2 GW is barely visible as two tiny turbines on the distant horizon line. The sky is a rapidly fading dusk — a narrow band of intense orange-red glow along the lower horizon transitioning upward through deep amber to a darkening steel-blue overhead, with zero clouds and perfectly clear atmosphere. The air feels heavy and oppressive despite the clear sky, conveying the 160 EUR/MWh price tension — a slight amber-brown atmospheric haze hangs low over the industrial structures. Spring vegetation: fresh bright-green grass and budding deciduous trees at 14°C. Rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — Caspar David Friedrich meets industrial sublime — with rich impasto brushwork, luminous atmospheric depth, meticulous engineering detail on every turbine nacelle, cooling tower rib, and PV panel frame. Dramatic chiaroscuro from the dying sunset light striking steam plumes and metal surfaces. No text, no labels.