Brown coal 9.8 GW dominates the left third of the scene as a massive lignite power station complex with four hyperbolic cooling towers emitting thick white-grey steam plumes into the night sky; natural gas 9.8 GW fills the centre-left as two modern CCGT facilities with tall slender exhaust stacks and illuminated turbine halls glowing warm orange through industrial windows; biomass 4.6 GW appears centre-right as a cluster of smaller wood-fired power plants with rectangular boiler buildings and modest chimneys releasing thin pale smoke; hard coal 3.6 GW sits to the right of centre as a single large coal-fired station with a wide chimney and coal conveyor belts lit by sodium floodlights; wind onshore 2.6 GW appears in the right background as a small group of three-blade turbines on lattice towers, their rotors barely turning in the still air; wind offshore 1.7 GW is suggested by distant tiny turbine silhouettes on a dark horizon line; hydro 1.4 GW is rendered as a concrete dam structure in the far right middle ground with illuminated spillway; solar 0.1 GW is absent — no panels visible. TIME: 20:00 in mid-April, fully dark — a deep black-navy sky with no twilight glow, no sunset remnants, only the amber and white industrial lighting of the power stations casting reflections on the ground and nearby river water. Complete overcast at 100% cloud cover means no stars or moon are visible, just an oppressive low dark ceiling of clouds faintly lit from below by the industrial glow. The atmosphere is heavy and brooding, with thick humid air giving halos around sodium streetlights. Spring vegetation — fresh green grass and budding deciduous trees along a riverbank — is visible only where caught by artificial light. A wide river in the foreground reflects the orange glow of the coal and gas facilities. High-voltage transmission towers and power lines recede into the darkness, symbolising the massive import flows. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich, dark colour palette of deep navy, amber, burnt sienna, and charcoal grey, with visible confident brushwork, dramatic chiaroscuro, and atmospheric depth. Each technology rendered with meticulous engineering accuracy: turbine nacelles, three-blade rotors, aluminium-framed structures, hyperbolic concrete cooling towers with realistic steam physics, CCGT exhaust geometry. The mood evokes Caspar David Friedrich's sublime darkness merged with industrial realism. No text, no labels.