Brown coal 9.6 GW dominates the left third of the scene as a cluster of massive hyperbolic cooling towers with thick white-grey steam plumes rising into black sky, lit from below by orange sodium lamps illuminating conveyor belts carrying lignite; natural gas 9.5 GW fills the centre-left as a row of compact CCGT power plants with slender exhaust stacks emitting thin heat shimmer, their turbine halls glowing with warm interior light through tall industrial windows; wind onshore 5.5 GW appears across the centre-right as a line of three-blade turbines on lattice towers slowly turning on a gentle breeze, their red aviation warning lights blinking against the darkness; wind offshore 3.4 GW is suggested in the far right distance as tiny red dots on the black horizon over a faintly gleaming sea; biomass 4.5 GW appears as a pair of smaller industrial facilities with wood-chip silos and modest chimneys emitting thin smoke, nestled between the gas plant and onshore turbines; hard coal 3.8 GW shows as a single large coal plant with a rectangular boiler house and tall chimney stack behind the lignite complex on the far left, its coal yard illuminated by floodlights; hydro 1.4 GW is represented by a small dam with spillway visible in the lower right foreground, water faintly reflecting artificial lights. The sky is completely black and starless, with 96% cloud cover erasing any celestial features—an oppressive, heavy atmosphere pressing down on the scene. The temperature is a cool 10.5°C spring night: bare branches are just beginning to bud on scattered deciduous trees in the foreground. No solar panels anywhere—no sunshine, no daylight. The entire landscape is lit only by artificial light: sodium-orange streetlights, industrial floodlights, and the dull glow from plant interiors. High-voltage transmission pylons stride across the middle distance, their cables sagging with imported power. Painted in the style of a highly detailed 19th-century German Romantic oil painting—rich, dark palette of deep navy, umber, burnt sienna, and ochre—with visible impasto brushwork, dramatic chiaroscuro from the industrial lighting, and atmospheric depth conveying an oppressive, costly night. Meticulous engineering detail on every turbine nacelle, cooling tower flute, CCGT stack, and transmission insulator. No text, no labels.