Brown coal 8.5 GW dominates the left quarter of the scene as a massive lignite power station with four hyperbolic cooling towers releasing thick pale steam plumes into the black sky, their concrete shells lit from below by amber sodium lights; natural gas 7.9 GW occupies the centre-left as two compact CCGT plants with tall single exhaust stacks and glowing turbine halls behind chain-link fences; wind onshore 6.9 GW spans the right third as a long ridge of three-blade turbines on lattice towers, their red aviation warning lights blinking in the darkness; wind offshore 3.2 GW appears in the far right background as a cluster of turbines on a dark sea horizon, tiny red dots marking their presence; hard coal 4.6 GW sits behind the lignite station as a smaller coal plant with a single rectangular cooling tower and conveyor belts faintly illuminated; biomass 4.2 GW appears as a mid-ground industrial facility with a wood-chip dome and a modest stack emitting thin white vapour, lit by a few floodlights; hydro 1.4 GW is suggested by a small dam structure in a valley at far left, water glinting under a single security light. The sky is completely black to deep navy with 93% cloud cover rendering no stars visible — a heavy, oppressive overcast pressing down on the scene. Temperature is 5°C in mid-April: bare-branched deciduous trees are just beginning to bud, the ground shows patches of frost on dark grass. Ground-level wind is light at 7.6 km/h, so smoke and steam rise mostly vertically with only gentle drift. The overall atmosphere is heavy and brooding, reflecting the high 98.4 EUR/MWh electricity price — a sense of industrial strain in the darkness. No sunlight whatsoever, no solar panels visible. All illumination comes from sodium streetlamps casting orange pools, industrial floodlights, glowing control-room windows, and the red warning beacons on turbine nacelles. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape masters — Caspar David Friedrich's sublime darkness merged with meticulous industrial-age engineering detail — rich impasto brushwork, deep atmospheric perspective, chiaroscuro contrast between the warm artificial lights and the enveloping night. No text, no labels.