Brown coal 8.5 GW dominates the left third of the scene as a cluster of massive hyperbolic cooling towers with thick white steam plumes rising into the night, lit from below by amber sodium lamps; natural gas 9.7 GW fills the centre-left as a row of modern CCGT plants with tall slender exhaust stacks venting thin heat shimmer, their turbine halls glowing with interior light; hard coal 4.9 GW appears centre-right as a squat, imposing power station with conveyor belts and a single large chimney emitting grey smoke; biomass 4.7 GW is rendered as a large wood-chip-fired plant with a rounded silo and modest stack, positioned right of centre; wind onshore 2.2 GW appears as a few distant three-blade turbines on a ridge at the far right, their rotors barely turning in the still air; wind offshore 0.5 GW is suggested by a single tiny turbine silhouette on a far horizon line; hydro 1.4 GW is a small dam structure in the mid-ground right with water cascading and lit by a single floodlight. The sky is completely dark — deep navy-black, no twilight glow, no sunset remnants — it is 20:00 in April. A heavy blanket of 66% cloud is faintly visible in the artificial uplight from the industrial complex, lending an oppressive, weighty atmosphere reflecting the 187 EUR/MWh price. The temperature is mild at 16°C; spring foliage — fresh green birch and linden trees — lines the foreground, leaves barely stirring in the 3.4 km/h breeze. A river or canal in the foreground reflects the orange industrial glow. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich meets Carl Blechen's industrial scenes — rich, saturated colour with visible impasto brushwork, dramatic chiaroscuro between the dark sky and the furnace glow, atmospheric depth with haze and steam, meticulous engineering detail on every turbine nacelle, cooling tower, and exhaust stack. No text, no labels.