Brown coal 9.0 GW dominates the left third of the scene as a cluster of massive hyperbolic cooling towers with thick white-grey steam plumes rising into heavy clouds; natural gas 9.3 GW fills the centre-left as a row of modern CCGT combined-cycle plants with tall slender exhaust stacks emitting faint heat shimmer; hard coal 4.6 GW appears centre-right as a dark blocky coal-fired station with conveyor belts and a single large chimney trailing smoke; biomass 4.3 GW occupies the right-centre as mid-sized industrial boiler buildings with wood-chip silos and modest stacks; wind onshore 1.6 GW is represented by a small group of three-blade turbines on a distant ridge, rotors barely turning; wind offshore 1.0 GW appears as faint silhouettes of offshore turbines along a far horizon line; hydro 1.4 GW is a concrete dam with a thin curtain of water visible in the middle distance; solar 0.6 GW is a tiny array of aluminium-framed crystalline silicon panels on a nearby rooftop, reflecting no sunlight. TIME: early dawn at 06:00 in mid-April—the sky is deep blue-grey with the faintest pale luminescence along the eastern horizon, no direct sunlight, no warm colours in the sky, only cold pre-dawn steel-blue light. The atmosphere is heavy and oppressive: 90% cloud cover presses low as a thick unbroken overcast ceiling, evoking the high electricity price. Temperature 7.8°C: bare deciduous trees with the first tiny green buds, damp brown fields, patches of mist lingering in low ground. The air is nearly still—no flags flutter, no grass bends. Rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich and Carl Blechen—rich tonal depth, visible textured brushwork, atmospheric perspective with layers of industrial haze receding into the grey distance. Each energy technology rendered with meticulous engineering accuracy: three-blade rotors with visible nacelles and lattice towers, hyperbolic concrete cooling towers with realistic condensation plumes, CCGT stacks with correct proportions. The mood is sombre, industrial, weighty. No text, no labels.