Brown coal 8.7 GW dominates the left third of the scene as a cluster of massive hyperbolic cooling towers rising into the night, thick white-grey steam plumes billowing upward lit from below by orange sodium floodlights; natural gas 8.8 GW fills the centre-left as a row of compact CCGT power stations with tall single exhaust stacks emitting thin plumes, their turbine halls glowing with interior industrial lighting; hard coal 4.5 GW appears centre-right as a smaller coal plant with a conveyor belt, stockpile, and rectangular cooling tower, lit by harsh white work lights; wind onshore 5.8 GW stretches across the right portion as a line of three-blade turbines on lattice towers along a dark ridge, blades turning very slowly, red aviation warning lights blinking at each nacelle; wind offshore 1.9 GW is suggested by a few distant turbines on the far-right horizon over a dark sea; biomass 4.2 GW appears as a mid-sized industrial facility with a wood-chip storage dome and modest smokestack, positioned between the coal and wind installations; hydro 1.8 GW is represented by a concrete dam structure in the far background with water glistening faintly under artificial light. The sky is completely black to deep navy — no twilight, no stars visible through total 100% cloud cover, creating a heavy oppressive overcast ceiling pressing down on the scene. The atmosphere is dense and weighty, reflecting the high 112.7 EUR/MWh price. Spring vegetation — fresh green grass and budding deciduous trees — is barely visible in pools of sodium-yellow streetlight along a road in the foreground. Temperature is mild at 13.6°C so no frost, light moisture in the air creating subtle halos around every lamp. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich, dark colour palette of deep blues, warm oranges, industrial greys — visible confident brushwork, atmospheric depth and chiaroscuro, meticulous engineering detail on every turbine nacelle, cooling tower, and exhaust stack. The scene evokes Caspar David Friedrich reimagining an industrial Rhineland nightscape. No text, no labels.