Brown coal 6.5 GW dominates the left third of the scene as massive hyperbolic cooling towers with thick steam plumes rising into the darkness, lit from below by orange sodium lamps; natural gas 6.3 GW fills the centre-left as a compact CCGT plant with tall exhaust stacks and glowing turbine halls visible through industrial windows; hard coal 3.1 GW appears centre-right as a smaller coal-fired station with a single square chimney and conveyor belts under yellow floodlights; biomass 4.2 GW occupies the right-centre as a wood-chip power station with steaming vents and stacked timber visible in pools of artificial light; hydro 1.8 GW appears at the far right as a concrete dam with illuminated spillway and faint white water; wind onshore 0.9 GW shows as two barely turning three-blade turbines on a distant ridge with red aviation warning lights blinking; wind offshore 1.3 GW suggested by tiny red lights on the far horizon line. The sky is completely dark — deep black-navy, no twilight, no glow on the horizon — it is 21:00 in April. Stars are entirely hidden by 92% cloud cover creating a low, heavy, oppressive overcast ceiling reflecting the orange-amber industrial glow back down. No solar panels visible anywhere — no sunshine exists. Spring vegetation: fresh green grass and budding trees faintly illuminated by sodium streetlights in the foreground. The atmosphere is thick, hazy, and oppressive reflecting the high 140.3 EUR/MWh price — smoke and steam merge with low clouds. Painted in the style of a highly detailed 19th-century German Romantic oil painting — rich impasto brushwork, deep chiaroscuro, atmospheric depth reminiscent of Caspar David Friedrich meeting industrial sublime — with meticulous engineering detail on every turbine nacelle, lattice tower, cooling tower hyperbolic curve, and CCGT exhaust stack. No text, no labels.