Brown coal 6.6 GW occupies the left quarter as a cluster of massive hyperbolic cooling towers with thick white steam plumes rising into black sky, lit from below by orange sodium lamps; natural gas 6.7 GW fills the centre-left as a pair of modern combined-cycle gas turbine plants with tall slender exhaust stacks venting thin heat shimmer, their steel structures illuminated by harsh industrial floodlights; hard coal 3.6 GW appears centre-right as a dark brick power station with conveyor belts and a single tall chimney trailing grey smoke; biomass 4.2 GW is rendered as a mid-sized industrial facility with a rounded wood-chip storage dome and a modest stack emitting pale vapour, positioned right of centre; wind onshore 0.9 GW and wind offshore 1.1 GW appear as a small group of barely turning three-blade turbines on lattice towers along the far right horizon, their red aviation warning lights blinking; hydro 1.8 GW is a concrete dam spillway visible in the far right background, water faintly catching reflected industrial glow. The sky is completely black with 99% overcast—no stars, no moon, no twilight—just a heavy oppressive low cloud ceiling reflecting the amber and white industrial light pollution from below, suggesting the high electricity price. Spring vegetation—budding deciduous trees, fresh grass—is barely visible in the foreground under dim sodium streetlight glow. Temperature is mild at 13.7°C so there is no frost, light mist clings to the river running through the scene. The atmosphere is dense, heavy, industrial. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters—rich deep colour palette of blacks, burnt oranges, warm ambers against cool blue-greys, visible confident brushwork, atmospheric depth and sfumato in the smoke and steam—rendered with meticulous engineering accuracy for each technology: nacelle housings, aluminium cladding, reinforced-concrete cooling towers, steel truss structures. No text, no labels.