Brown coal 6.4 GW dominates the left quarter as a cluster of massive hyperbolic cooling towers emitting thick white-grey steam plumes lit from below by amber sodium lights; natural gas 6.7 GW fills the centre-left as a pair of modern combined-cycle gas turbine plants with tall slender exhaust stacks venting heat shimmer; hard coal 3.9 GW appears centre-right as a squat power station with conveyor belts and a single large smokestack; biomass 4.2 GW is rendered as a mid-ground industrial plant with wood-chip silos and a modest flue; hydro 1.8 GW appears as a concrete dam and spillway in the right background nestled against dark hills; wind onshore 0.9 GW and offshore 0.8 GW are depicted as a small group of three-blade turbines on a distant ridge, rotors barely turning. TIME: midnight, completely dark sky, deep navy-black with no twilight, no moon visible, heavy 100% overcast blanket pressing low. All structures lit only by artificial orange-yellow sodium streetlamps and industrial floodlights casting hard pools of light. Spring vegetation — fresh green grass and budding deciduous trees — visible only in the nearest lamplight. Air feels heavy and oppressive reflecting the high electricity price. Gentle mist hugs the ground between facilities. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich, deep colour palette dominated by blacks, dark blues, warm ambers and ochres — visible impasto brushwork — atmospheric depth with industrial haze — meticulous engineering detail on every turbine nacelle, cooling tower ribbing, CCGT exhaust stack, and conveyor structure — the scene evokes Caspar David Friedrich reimagining an industrial Rhineland night. No text, no labels.