Brown coal 6.2 GW dominates the left third of the scene as a cluster of massive hyperbolic cooling towers emitting thick white-grey steam plumes into the night; natural gas 6.5 GW occupies the centre-left as compact CCGT power stations with tall single exhaust stacks, lit by orange sodium lamps, thin heat shimmer rising from vents; hard coal 4.0 GW appears centre-right as a large conventional power station with rectangular boiler houses, conveyor belts, and a single fat chimney trailing grey smoke; biomass 4.2 GW sits at the far right as a modest industrial facility with wood-chip silos and a low exhaust stack glowing faintly; hydro 1.8 GW is represented by a small dam and spillway in the middle distance, water catching faint reflected light; wind onshore 0.9 GW appears as two or three distant three-blade turbines on a ridge, rotors nearly still; wind offshore 0.9 GW is suggested by tiny turbine silhouettes on a far horizon line beyond a dark body of water. TIME: 02:00 at night—completely dark sky, deep navy-black, no twilight, no sky glow, stars hidden behind 100% overcast cloud layer creating a low oppressive ceiling. All illumination comes from sodium streetlights casting amber pools, facility safety lighting, glowing furnace windows, and the red aviation warning lights atop stacks and turbines. The atmosphere is heavy and close, hinting at high electricity prices. Spring vegetation is barely visible—fresh budding trees in the foreground catch faint amber light. Temperature is mild at 12°C so no frost, slight dampness on surfaces. Wind is nearly calm at 6 km/h so smoke and steam rise almost vertically. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters—rich colour, visible impasto brushwork, atmospheric depth—but with meticulous engineering accuracy on every turbine nacelle, lattice tower, cooling tower curvature, and aluminium-framed structure. The mood evokes Caspar David Friedrich's nocturnes translated to an industrial landscape. No text, no labels.