Brown coal 6.1 GW dominates the left third of the canvas as a cluster of massive hyperbolic cooling towers venting thick white steam plumes into a heavy overcast sky; natural gas 4.5 GW fills the centre-left as two compact CCGT power blocks with tall single exhaust stacks trailing thin heat shimmer; hard coal 3.7 GW appears centre-right as a gritty coal-fired plant with conveyor belts and a broad smokestack; biomass 4.2 GW is rendered as a large industrial wood-chip facility with a modest flue and stacked timber yards in the right-centre; hydro 1.8 GW appears as a concrete dam with dark spillway water in the middle distance right; wind onshore 0.9 GW is a pair of three-blade turbines on a distant ridge, blades barely turning in the still air; wind offshore 1.2 GW is faintly visible as tiny turbine silhouettes on a far grey horizon line. Pre-dawn lighting at 05:00 Berlin time: the sky is deep blue-grey with the faintest pale streak of cold light along the eastern horizon, no direct sunlight, no warm tones; ground is mostly dark, lit only by sodium-orange industrial lamps around each facility. No solar panels visible anywhere. Overcast ceiling is low, thick, and oppressive, reinforcing the high electricity price atmosphere. Spring vegetation—bare-budding trees, damp green grass—surrounds the industrial corridor. A river threads through the scene reflecting the pale pre-dawn sky and the orange glow of plant lights. Painted in the style of a highly detailed 19th-century German Romantic oil painting—rich impasto brushwork, atmospheric depth, Caspar David Friedrich's brooding sublime crossed with meticulous industrial-engineering accuracy: lattice transmission towers, visible turbine nacelles, aluminium conduit on plant facades. No text, no labels.