Biomass 4.2 GW dominates the centre-left as a cluster of large industrial biomass plants with tall chimneys emitting pale wood-smoke plumes and stacked timber yards; offshore wind 3.0 GW appears in the far right background as a row of tall three-blade turbines rising from a grey North Sea horizon; brown coal 2.7 GW occupies the left foreground as two massive hyperbolic cooling towers with thick white steam columns; hydro 1.8 GW is rendered as a concrete dam with spillway in the middle distance nestled in a green valley; hard coal 1.2 GW appears as a single smaller coal plant with a red-brick stack and conveyor belts centre-right; natural gas 1.1 GW is a compact CCGT unit with a single polished exhaust stack near the hard coal plant. The time is 14:00 in mid-April — full daylight but entirely diffused and flat under 100% cloud cover, a uniform pale-grey sky with no blue visible, no shadows on the ground. The landscape is early spring central German rolling hills with fresh pale-green budding trees and damp meadows at about 11°C, a moderate breeze bending grass and ruffling puddles. No solar panels anywhere — the overcast is total. The atmosphere is calm and slightly melancholic, reflecting the mildly negative electricity price — open, unoppressive air but drained of colour. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich and Carl Blechen — rich muted earth tones, visible confident brushwork, luminous atmospheric depth, meticulous engineering detail on every turbine nacelle, cooling tower reinforcement ring, and smokestack. The scene reads as a masterwork industrial landscape painting. No text, no labels.