Brown coal 6.5 GW dominates the left third of the scene as a massive lignite power station with three hyperbolic cooling towers emitting thick white steam plumes lit from below by amber sodium lamps; biomass 4.2 GW appears centre-left as a cluster of industrial wood-chip combustion plants with rectangular stacks and warm glowing furnace light behind grated openings; offshore wind 3.6 GW occupies the right quarter as a distant line of tall three-blade turbines standing in a dark sea, their red aviation warning lights blinking against the black horizon; hydro 1.8 GW appears as a concrete dam spillway in the centre-right middle ground, floodlit with white security lighting and water cascading; natural gas 1.4 GW is rendered as a compact CCGT unit with a single tall exhaust stack and modest heat shimmer, placed centre-right; hard coal 1.4 GW sits beside the lignite station as a smaller coal plant with a single square cooling tower and conveyor belt. TIME: 20:00 in mid-April — fully dark night sky, deep navy-black, no twilight glow remaining, no sunset colours. A 57% cloud cover partially obscures stars overhead. No solar panels anywhere, no sunshine. The ground shows early spring vegetation — fresh green grass and budding trees at 9.7°C, damp from spring moisture. A moderate breeze bends thin birch branches. The atmosphere feels heavy and oppressive reflecting the high electricity price: low thick clouds tinged orange-brown by industrial light pollution from the power stations, a brooding industrial haze. Rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich impasto brushwork, dramatic chiaroscuro between the glowing industrial facilities and the surrounding darkness, atmospheric depth with mist layers, meticulous engineering detail on each turbine nacelle, cooling tower ribbing, and CCGT exhaust geometry. The mood evokes Caspar David Friedrich crossed with industrial sublime. No text, no labels.