Brown coal 6.8 GW dominates the left third of the scene as a complex of massive hyperbolic cooling towers with thick white-grey steam plumes rising into the night; biomass 4.2 GW appears left-of-centre as a cluster of mid-sized industrial boiler buildings with illuminated chimneys emitting thin grey exhaust; natural gas 3.9 GW occupies the centre as compact CCGT power stations with tall single exhaust stacks and orange sodium lighting on their steel structures; wind offshore 3.5 GW is visible in the right-centre distance as a row of three-blade turbines on monopile foundations, their red aviation warning lights blinking against the black horizon of a barely visible sea; hard coal 3.1 GW sits right of centre as a coal-fired station with a single large stack and conveyor belts, floodlit in amber; hydro 1.8 GW appears at the far right as a concrete dam face with illuminated spillways glinting in artificial light. The sky is completely dark — a deep near-black navy, 95% overcast with no stars, no moon, no twilight glow — a true 22:00 nightscape. The atmosphere feels heavy and oppressive, reflecting the 119.4 EUR/MWh price: low thick clouds press down, faintly catching the orange industrial glow from below. Spring vegetation — fresh green grass and budding deciduous trees — is barely visible at ground level in the artificial light, temperature around 9°C suggesting slight mist curling near the ground. The entire scene is rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape masters — rich impasto brushwork, dramatic chiaroscuro between the deep darkness above and the industrial sodium-orange and white illumination below, atmospheric depth with steam and mist layering across the middle distance. Each technology is painted with meticulous engineering accuracy: three-blade rotor nacelles on lattice-and-tubular towers offshore, lignite hyperbolic cooling towers with correct parabolic profiles, CCGT units with heat-recovery steam generators visible. No text, no labels.