Brown coal 6.3 GW dominates the left third of the scene as a cluster of four massive hyperbolic cooling towers with thick white steam plumes rising into the black sky, their concrete shells lit from below by orange sodium lamps; hard coal 3.7 GW occupies the center-left as a large coal-fired station with tall rectangular boiler houses and a single tapered chimney trailing grey smoke, floodlit harshly; natural gas 3.7 GW appears center-right as two compact CCGT units with sleek cylindrical exhaust stacks emitting thin heat shimmer, illuminated by white industrial lighting; biomass 4.2 GW sits in the right-center as a mid-sized wood-chip facility with a squat smokestack and conveyor belt, warmly lit by amber work lights; offshore wind 3.1 GW is visible in the far-right background as a row of turbines standing in a dark North Sea suggested by faint red aviation warning lights on nacelles against the horizon; hydro 1.8 GW appears as a small concrete dam structure in the lower right foreground with water spilling over a weir, lit by a single floodlight. The sky is completely black with no twilight glow, heavy 82% cloud cover obscuring all stars, an oppressive low ceiling reflecting faint industrial orange from below. April vegetation is sparse — bare-budding deciduous trees, damp brown-green grass. The atmosphere feels heavy and costly, the air thick with moisture and coal haze. No solar panels visible anywhere. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich dark palette of burnt umber, lamp black, and cadmium orange — visible impasto brushwork, dramatic chiaroscuro from industrial lighting against total darkness, atmospheric depth with steam and haze receding into the night. Meticulous engineering detail on every structure: three-blade rotor geometry on offshore turbines, lattice transmission towers carrying cables between plants, aluminium cladding on gas turbine housings. No text, no labels.