Wind onshore 14.8 GW dominates the right half of the scene as dozens of tall three-blade turbines with white lattice towers and detailed nacelles stretching across rolling dark hills; brown coal 6.7 GW occupies the left foreground as massive hyperbolic cooling towers emitting thick pale steam plumes, lit from below by orange sodium lamps; natural gas 7.5 GW fills the left-centre as a cluster of compact CCGT power blocks with tall single exhaust stacks venting thin vapour trails, illuminated by harsh industrial floodlights; hard coal 3.9 GW appears behind the gas plant as a smaller set of rectangular boiler houses with a single square chimney and coal conveyor belts; wind offshore 3.6 GW is suggested on the far right horizon as faint rows of turbine silhouettes against the dark sea; biomass 4.1 GW is rendered as a mid-ground wood-chip-fed generating station with a modest smokestack and illuminated fuel yard; hydro 1.4 GW appears as a small dam structure with water gleaming under floodlight in a valley. Time is 04:00 — completely dark, black sky with no twilight, no stars visible through 98% cloud cover, a deep oppressive overcast ceiling pressing down. The only light sources are sodium-orange and white-blue industrial lamps casting pools of warm and cold light across the facilities. Temperature is near 6°C: early spring vegetation is sparse, grass is dull grey-green, bare branches on scattered trees. The atmosphere feels heavy and costly, with dense low clouds trapping the industrial glow. No solar panels anywhere. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich impasto brushwork, dramatic chiaroscuro, deep atmospheric perspective, meticulous engineering detail on every turbine nacelle, cooling tower, and exhaust stack. The scene evokes Caspar David Friedrich's sense of sublime scale but applied to an industrial nocturne. No text, no labels.