Brown coal 7.8 GW dominates the left quarter as a cluster of massive hyperbolic cooling towers releasing thick steam plumes lit from below by sodium-orange industrial lights; natural gas 8.0 GW occupies the left-centre as a row of compact CCGT power blocks with tall single exhaust stacks emitting thin white vapour, floodlit against the darkness; hard coal 4.1 GW appears centre-right as a single large coal plant with conveyor belts and a tall chimney, glowing reddish from furnace light; onshore wind 16.2 GW spans the entire right half and background as dozens of three-blade turbines on lattice and tubular towers arrayed across rolling hills, their red aviation warning lights blinking in the dark; offshore wind 1.4 GW is suggested by a few distant turbines on the far-right horizon above a barely visible sea line; biomass 4.6 GW appears as a mid-sized industrial plant with a wood-chip silo and a single smokestack near the centre, warmly lit; hydro 1.4 GW is shown as a small dam spillway in the lower-right foreground, water catching reflected light. The sky is completely dark, deep navy-black, with a scattering of stars visible through 18% thin cloud wisps — absolutely no twilight or sky glow on the horizon. An early-spring landscape: bare deciduous trees just beginning to bud, cool-toned grass, temperature around 8°C conveyed by a slight ground mist. The atmosphere feels heavy and oppressive despite the clear sky, hinting at the high electricity price — a faint industrial haze diffuses the artificial lights into amber haloes. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich and Carl Blechen, with rich impasto brushwork, deep chiaroscuro, atmospheric depth, and meticulous engineering accuracy on every turbine nacelle, cooling tower shell, and exhaust stack. No text, no labels.