Wind onshore 15.4 GW dominates the right half of the scene as dozens of tall three-blade turbines on lattice towers stretching across dark rolling hills, their red aviation lights blinking; brown coal 7.8 GW occupies the left foreground as a cluster of massive hyperbolic cooling towers emitting thick white steam plumes lit from below by orange sodium lamps; natural gas 7.9 GW appears centre-left as compact CCGT power blocks with tall single exhaust stacks venting thin heat shimmer, their facades illuminated by industrial floodlights; hard coal 4.1 GW sits behind the gas plant as a smaller conventional station with a single rectangular chimney and conveyor belt silhouette; biomass 4.5 GW appears centre-right as a modest wood-chip-fed plant with a squat smokestack and warm interior glow from open loading bays; wind offshore 1.2 GW is visible as a distant line of tiny lit turbines on the far horizon; hydro 1.4 GW is suggested by a concrete dam with spillway in the middle distance, faintly lit. The sky is completely black and cloudless, filled with sharp stars and no moon glow, consistent with 23:00 in April — absolutely no twilight or sky brightening. The air feels cool at 6.7°C; early spring vegetation is sparse, with bare-branched trees just beginning to bud. A faint ground-level mist drifts between the turbine bases. The atmosphere is heavy and oppressive despite the clear sky, reflecting the high electricity price — a brooding industrial tension. Rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape masters like Caspar David Friedrich, with rich impasto brushwork, deep chiaroscuro, atmospheric depth, warm sodium-orange industrial light contrasting against the cold indigo-black night sky, and meticulous engineering accuracy for every turbine nacelle, cooling tower profile, and exhaust stack. No text, no labels.