Brown coal 6.7 GW dominates the left quarter as four massive hyperbolic cooling towers with thick white steam plumes rising into the black sky, lit from below by orange sodium lamps illuminating a lignite conveyor and ash heaps; natural gas 7.0 GW fills the centre-left as two compact CCGT plants with slender exhaust stacks emitting thin vapour, their turbine halls glowing with interior fluorescent light through tall windows; hard coal 3.9 GW appears centre-right as a single large coal-fired station with a wide chimney and red aviation warning lights blinking; onshore wind 10.9 GW spans the entire right third and background as dozens of three-blade turbines on lattice and tubular towers, their nacelle lights blinking white, blades turning slowly; offshore wind 0.8 GW is suggested by a few distant turbines on the far-right horizon barely visible; biomass 4.2 GW appears as a medium-sized industrial plant with a wood-chip storage dome and a single smokestack with warm amber exhaust, positioned between the coal and gas stations; hydro 1.4 GW is a small dam structure in the middle distance with water glinting under floodlights. The sky is completely black with brilliant stars and a clear Milky Way, zero cloud cover, a cold late-April night at 2 AM—no twilight, no sky glow, deep navy-to-black firmament. Frost glistens on bare early-spring grass and leafless hedgerows in the foreground. The atmosphere feels heavy and oppressive despite the clear sky, conveying high electricity prices: a faint industrial haze at ground level, sodium-orange light pollution pooling around the thermal plants, steam plumes dense and looming. Rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters—rich impasto brushwork, deep chiaroscuro contrasts between artificial light and night darkness, atmospheric depth with layered distances, meticulous engineering detail on every turbine nacelle, cooling tower ribbing, CCGT exhaust stack, and coal conveyor. The scene evokes Caspar David Friedrich's sublime darkness but filled with industrial grandeur. No text, no labels.