Wind onshore 9.6 GW occupies the right third of the scene as dozens of tall three-blade turbines with white nacelles and lattice towers spread across rolling dark farmland, blades turning slowly in light wind; brown coal 6.7 GW dominates the centre-left as a massive lignite power station with four hyperbolic concrete cooling towers emitting thick white steam plumes lit from below by amber sodium lights; natural gas 7.2 GW appears centre-right as a pair of compact CCGT plants with tall single exhaust stacks releasing thin heat shimmer, their modular turbine halls glowing with industrial lighting; hard coal 4.0 GW sits at the far left as a large coal-fired plant with a single rectangular boiler house, tall chimney, and conveyor gantries illuminated by floodlights; biomass 4.2 GW appears as a mid-sized CHP facility with a cylindrical silo and modest stack near the coal plant, warmly lit; hydro 1.4 GW is represented by a small dam structure with a lit powerhouse visible in a valley in the far distance; wind offshore 0.6 GW is suggested by faint red aviation lights on the far horizon line. The sky is completely dark, deep navy-black, no twilight, no dawn glow, overcast clouds faintly visible only where industrial light catches them from below. The ground shows bare early-spring fields with frost-whitened grass, leafless trees, temperature near freezing. The atmosphere is heavy, oppressive, and hazy — smoke and steam merge with low clouds reflecting orange sodium light, evoking the high electricity price. No solar panels anywhere. No sunshine. Painted in the style of a highly detailed 19th-century German Romantic oil painting — rich impasto brushwork, deep chiaroscuro, atmospheric sfumato in the steam and haze — yet with meticulous engineering accuracy for every turbine nacelle, cooling tower profile, and exhaust stack. The mood channels Caspar David Friedrich's nocturnal sublime transposed onto an industrial landscape. No text, no labels.