Wind onshore 9.3 GW dominates the right third of the scene as dozens of three-blade turbines with lattice towers and white nacelles stretching across rolling hills into the distance; natural gas 7.2 GW occupies the center-right as a cluster of compact CCGT power plants with tall single exhaust stacks emitting thin plumes of steam lit by sodium lamps; brown coal 6.7 GW fills the left quarter as massive hyperbolic cooling towers with dense white steam plumes rising into the dark sky, alongside conveyor belts feeding lignite into boiler houses; hard coal 4.0 GW appears center-left as a smaller industrial complex with square stacks and red aviation lights; biomass 4.2 GW sits in the mid-ground as several medium-scale facilities with cylindrical wood-chip silos and modest chimneys glowing warmly; hydro 1.3 GW is a small dam and spillway visible in the far left valley; wind offshore 0.5 GW is barely glimpsed as tiny turbine silhouettes on a distant dark sea horizon. Time is 05:00 in April — pre-dawn: the sky is deep blue-grey with the faintest pale band of cold light on the eastern horizon, no direct sunlight, no warm colors in the sky. Temperature near 0°C: frost on the ground, bare early-spring trees with only the slightest budding, patches of mist hanging in low valleys. Cloud cover 68%: broken grey clouds layered across the sky allowing glimpses of dark navy above. Light wind: turbine blades turning slowly. The atmosphere is heavy and oppressive reflecting the high electricity price — an industrial weight presses upon the landscape. Sodium-orange streetlights and facility lighting cast artificial glows against the dark terrain. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — Caspar David Friedrich's atmospheric depth meets industrial realism — rich dark blues, warm amber industrial lights, visible expressive brushwork, meticulous engineering detail on every turbine nacelle, cooling tower, and exhaust stack. No text, no labels.