Solar 52.7 GW dominates roughly three-quarters of the canvas as vast expanses of crystalline silicon photovoltaic panels stretching across rolling agricultural fields, their aluminium frames glinting in brilliant late-morning sunlight; brown coal 3.3 GW appears at the far left as a cluster of hyperbolic cooling towers with thin white steam plumes rising into the still air; hard coal 2.4 GW sits adjacent as a smaller power station with conveyor belts and a single rectangular stack; natural gas 3.1 GW occupies a compact mid-ground area as a modern CCGT plant with a slender exhaust stack and modest heat shimmer; wind onshore 4.8 GW is represented by a scattered line of three-blade turbines on a gentle ridge, their rotors barely turning in the light breeze; wind offshore 0.8 GW appears as tiny distant turbines on the hazy horizon; biomass 4.3 GW is rendered as a modest timber-clad biomass plant with a short chimney near a woodpile; hydro 1.5 GW is a small run-of-river weir with water glinting at the lower edge. The sky is completely cloudless, a luminous spring blue, the sun high and strong at 11:00 AM, casting short crisp shadows. The atmosphere is calm and open, reflecting negative electricity prices — no oppressive haze, just serene clarity. Early spring vegetation: fresh pale-green leaves on deciduous trees, bright rapeseed fields beginning to bloom, temperature around 10 °C suggested by people in light jackets. High-voltage transmission pylons recede into the distance carrying exported power. Painted in the style of a highly detailed 19th-century German Romantic oil painting — rich saturated colour, visible impasto brushwork, atmospheric depth recalling Caspar David Friedrich and Carl Blechen — yet every turbine nacelle, PV module, and cooling tower rendered with meticulous engineering accuracy. No text, no labels.