Wind onshore 14.9 GW dominates the right half of the canvas as dozens of tall three-blade turbines with white tubular towers and aerodynamic nacelles stretching across rolling dark hills; brown coal 6.8 GW occupies the far left as a cluster of massive hyperbolic cooling towers emitting thick steam plumes lit from below by orange sodium lamps; natural gas 5.3 GW appears left of centre as compact CCGT plants with tall slender exhaust stacks and visible heat shimmer; hard coal 3.3 GW sits beside the lignite plant as a smaller coal-fired station with a single squat chimney and conveyor belts; biomass 4.1 GW is rendered as a mid-ground industrial biogas facility with cylindrical digesters and a short stack with a faint flame; wind offshore 3.7 GW is suggested in the distant far right as turbines standing in a dark sea barely visible on the horizon; hydro 1.2 GW appears as a small dam with spillway in a valley at centre-right. The sky is completely black with no twilight or glow—a cold clear April night at 2 AM, stars scattered faintly above but the atmosphere feels heavy and oppressive reflecting a high electricity price. Temperature near freezing: bare early-spring trees with no leaves, frost on grass, breath-visible cold. All artificial lighting is sodium-orange and industrial white. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters—rich dark palette of Prussian blue, burnt umber, and warm amber; thick visible brushwork; dramatic chiaroscuro between the glowing industrial facilities and the enveloping darkness; atmospheric depth with mist clinging to valleys. Meticulous engineering detail on every turbine nacelle, cooling tower reinforcement ribs, and gas-plant pipework. No text, no labels.