Wind onshore 15.2 GW dominates the right half of the scene as dozens of three-blade turbines on lattice towers stretching across rolling dark hills; wind offshore 4.1 GW appears as a distant cluster of turbines on the far-right horizon above a faintly gleaming sea. Brown coal 6.7 GW occupies the left foreground as three massive hyperbolic cooling towers emitting thick white steam plumes lit from below by sodium-orange industrial lights. Natural gas 5.4 GW fills the centre-left as a compact CCGT plant with twin exhaust stacks releasing thin grey vapour, its rectangular turbine halls lit by amber floodlights. Hard coal 3.3 GW sits behind the gas plant as a single large boiler house with a tall chimney and visible coal conveyor belts under yellow lights. Biomass 4.1 GW appears as a mid-ground wood-chip-fired power station with a modest stack and a domed fuel storage silo, warm interior light visible through windows. Hydro 1.2 GW is a small dam and powerhouse nestled in a valley on the far left, water shimmering faintly under artificial lighting. The sky is completely black, a deep-navy starless vault at 04:00 — absolutely no twilight or sky glow — with only the orange and yellow sodium streetlights, industrial floodlights, and red aviation warning lights on the turbine nacelles providing illumination. The atmosphere is heavy and oppressive, a faint haze of steam and mist clinging to the ground reflecting the high electricity price. Frost glitters on bare early-spring grass and leafless birch trees; temperature near 3°C, almost no wind at ground level despite the turbines turning at hub height. Painted in the style of a highly detailed 19th-century German Romantic oil painting — rich, dark tonal palette of indigo, umber, and warm amber; visible impasto brushwork; atmospheric depth with layers of industrial haze receding into the darkness; meticulous engineering detail on every turbine nacelle, cooling tower, and exhaust stack. No text, no labels.