Wind onshore 15.7 GW dominates the right half of the scene as dozens of tall three-blade turbines with white tubular towers and detailed nacelles stretching across rolling hills into the distance; wind offshore 4.5 GW appears as a faint line of turbines on a far northern horizon over a dark sea glimpsed through a valley gap; brown coal 6.3 GW occupies the left foreground as a massive lignite power station with three hyperbolic concrete cooling towers emitting thick white steam plumes rising into the pre-dawn sky; natural gas 6.0 GW sits centre-left as a compact modern CCGT facility with two tall slender exhaust stacks topped by heat shimmer and smaller vapour trails; hard coal 3.3 GW appears as a darker, older coal plant behind the gas station with a single large smokestack and conveyor infrastructure; biomass 4.3 GW is rendered as a mid-ground cluster of industrial biogas facilities with cylindrical digesters and small chimneys emitting thin wisps; hydro 1.2 GW is a small dam structure visible in the middle distance with water glinting faintly; solar 1.2 GW is a modest array of crystalline silicon panels on a hillside, completely dark and inert, catching no light. Time is 06:00 dawn in late April: the sky is deep blue-grey with the faintest pale aquamarine band along the eastern horizon — no direct sunlight yet, no warm colours in the sky, the landscape lit only by the first diffuse pre-dawn glow and orange sodium streetlights from a small town in the valley. Temperature is near freezing at 2°C: light frost coats the grass and bare early-spring branches, patches of lingering snow in shaded hollows, trees just beginning to bud with the palest green. The sky is perfectly clear with zero cloud cover, stars still faintly visible overhead. The atmosphere feels heavy and oppressive despite the clear sky, a brooding stillness suggesting expensive energy: a faint industrial haze hangs low across the valley, the cooling tower plumes are massive and dominate the composition, power lines sag under load across the scene. Style: highly detailed oil painting in the tradition of Caspar David Friedrich and Carl Blechen — rich dark blues, deep browns, warm amber artificial lights, meticulous visible brushwork with atmospheric depth and a sense of sublime industrial grandeur. Every turbine blade, every cooling tower rib, every PV panel aluminium frame rendered with engineering precision. No text, no labels.