Brown coal 8.9 GW dominates the left third of the scene as a cluster of massive hyperbolic cooling towers with thick white-grey steam plumes rising into the darkness; natural gas 7.4 GW fills the centre-left as a row of compact CCGT plant buildings with tall single exhaust stacks emitting thin heat shimmer; onshore wind 5.3 GW appears across the centre-right as a line of three-blade turbines on lattice towers, blades barely turning in the light breeze; biomass 4.2 GW is rendered centre as a medium-sized industrial facility with timber-feed conveyors and a smouldering glow in its furnace windows; hard coal 3.7 GW sits adjacent to the brown coal as a smaller coal-fired station with a pair of rectangular chimneys and modest steam; hydro 1.5 GW appears at the far right as a concrete dam spillway with dark water cascading; offshore wind 0.6 GW is a faint silhouette of turbines on a distant horizon line over a barely visible sea. The sky is deep blue-grey pre-dawn, 05:00 in early May — no direct sunlight, only the faintest pale band of cold light along the eastern horizon beneath a 95% overcast ceiling of heavy low clouds pressing down oppressively, suggesting the high electricity price. Temperature is 7.5°C: spring vegetation is fresh green but subdued in the dim light, with dew on the grass. All structures are lit by amber sodium streetlights and the orange industrial glow from plant windows and furnace openings, casting warm reflections on wet surfaces. No solar panels visible anywhere. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich, dark colour palette of indigo, slate grey, amber, and ochre; visible impasto brushwork; atmospheric depth with mist and steam layering; meticulous engineering accuracy on every turbine nacelle, cooling tower fluting, and exhaust stack. The mood is sombre, industrial, monumental. No text, no labels.