Brown coal 9.0 GW dominates the left quarter of the scene as a massive lignite power station with four hyperbolic cooling towers billowing thick white-grey steam into the overcast sky; natural gas 7.5 GW appears centre-left as two compact CCGT blocks with tall slender exhaust stacks emitting thin heat shimmer; solar 8.8 GW occupies the centre as vast fields of aluminium-framed crystalline silicon panels stretching across flat farmland, their surfaces dull and reflecting only grey sky with no sunlight glinting; wind onshore 4.6 GW fills the centre-right as a modest cluster of three-blade turbines on lattice and tubular towers, blades turning slowly in light wind; biomass 4.4 GW appears as a wood-clad industrial plant with a single squat smokestack and wood-chip conveyors; hard coal 3.7 GW is rendered right of centre as a coal-fired station with a single large cooling tower and coal conveyor belts; hydro 1.5 GW is a small concrete dam with water cascading into a river at the far right; wind offshore 0.7 GW is barely visible as tiny turbines on the distant horizon line above a grey North Sea sliver. Time of day is early dawn at 07:00 in May — the sky is a deep blue-grey brightening to pale steel at the eastern horizon, no direct sun visible, pre-dawn diffuse light illuminating the landscape softly. The sky is 96% overcast with a heavy, low, uniform stratus ceiling pressing down oppressively, conveying high electricity prices. Temperature is cool at 8 °C; fresh spring vegetation — bright green grass and young leaf canopy on birch and beech trees — but dew-covered and muted under the grey light. Light wind barely moves the grass. The atmosphere is heavy, humid, industrial, with steam and haze merging into the cloud base. Style: highly detailed oil painting in the tradition of Caspar David Friedrich and Carl Blechen — rich layered colour in muted greys, slate blues, warm browns and dull greens, visible impasto brushwork, atmospheric aerial perspective with depth receding into industrial haze. Every energy technology rendered with meticulous engineering accuracy: turbine nacelles, three-blade rotors, PV cell grid patterns, cooling tower parabolic concrete shells, gas turbine exhaust diffusers. The composition feels monumental and contemplative — a Romantic masterwork of the modern industrial landscape. No text, no labels, no people.