Solar 18.9 GW dominates the right half of the composition as vast fields of aluminium-framed crystalline silicon PV panels stretching across flat farmland, their surfaces reflecting a dull pewter sky rather than direct sunlight; brown coal 9.0 GW occupies the left quarter as a massive lignite power station with four hyperbolic cooling towers emitting thick white steam plumes rising into the overcast; natural gas 7.5 GW appears centre-left as a pair of modern CCGT plants with tall single exhaust stacks and rectangular turbine halls; biomass 4.6 GW is rendered as a cluster of medium-scale biomass CHP facilities with woodchip storage silos and moderate steam output near the centre; hard coal 3.8 GW shows as a traditional coal plant with a single large chimney and conveyor belts, positioned behind the gas units; wind onshore 3.0 GW appears as a small group of three-blade turbines on low hills in the far background, rotors barely turning; wind offshore 0.8 GW is suggested by faint silhouettes of offshore turbines on a distant grey horizon line; hydro 1.5 GW is a small run-of-river station with weir visible along a river in the mid-ground. The time is 08:00 on a May morning — full daylight but deeply overcast, with a uniformly grey 92% cloud ceiling pressing low, no direct sun, flat diffuse light casting almost no shadows. The atmosphere is heavy, oppressive, and damp, reflecting the 137.4 EUR/MWh price tension. Temperature is a cool 8.8°C; spring vegetation is fresh green but muted under the grey light, grass dew-wet. The air is still, no wind motion in trees. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — Caspar David Friedrich meets industrial realism — rich muted colour palette of slate greys, olive greens, and ochre browns, visible impasto brushwork, deep atmospheric perspective with haze softening the distant cooling towers, meticulous engineering accuracy on every turbine nacelle, PV module frame, and cooling tower shell. No text, no labels.