Brown coal 9.1 GW dominates the left third of the scene as a massive lignite power complex with four hyperbolic cooling towers emitting thick white-grey steam plumes into the black sky, glowing orange furnace light visible through industrial windows; wind onshore 6.7 GW and offshore 1.4 GW span the right third as scattered rows of three-blade turbines on lattice towers, their red aviation warning lights blinking in the darkness, rotors turning slowly in light wind; natural gas 5.6 GW occupies the centre-left as two compact CCGT plants with tall single exhaust stacks and faint blue-white gas flare illumination; hard coal 3.7 GW appears centre-right as a coal-fired station with a single large smokestack and conveyor belt infrastructure lit by sodium lamps; biomass 4.1 GW is rendered as a cluster of smaller industrial facilities with cylindrical digesters and wood-chip silos under warm amber floodlights in the centre foreground; hydro 1.3 GW appears as a distant concrete dam structure with subtle spillway lighting at the far right edge. The scene is set at 04:00 in complete darkness — deep black sky with 100% cloud cover obscuring all stars and moon, no trace of twilight or dawn glow. Near-freezing temperature of 2.9°C suggested by frost on metal structures and faint mist hanging low over a flat central German landscape with bare early-spring vegetation. The atmosphere is heavy and oppressive, reflecting high electricity prices — thick low clouds press down, trapping steam and industrial haze in a dense canopy. Sodium-orange streetlights line a road cutting through the middle ground. Painted in the style of a highly detailed 19th-century German Romantic oil painting with rich, dark colour palette dominated by blacks, deep navy, amber, and furnace-orange, visible impasto brushwork, meticulous engineering detail on every turbine nacelle, cooling tower curve, and exhaust stack, atmospheric chiaroscuro depth reminiscent of Caspar David Friedrich reimagined for the industrial age. No text, no labels.