Brown coal 9.1 GW dominates the left third of the scene as a massive lignite power station with four hyperbolic cooling towers emitting thick white steam plumes rising into an oppressive, uniformly grey sky; solar 9.8 GW occupies the centre-right as vast fields of aluminium-framed crystalline silicon PV panels stretching across flat farmland, their surfaces reflecting only dull grey diffuse light under total overcast; wind onshore 5.0 GW appears as a cluster of three-blade turbines on a gentle ridge in the right background, rotors barely turning in the light breeze; natural gas 4.9 GW is rendered as two compact CCGT plants with slim exhaust stacks and modest heat shimmer in the centre-left middle ground; hard coal 3.6 GW sits as a smaller coal plant with a single large smokestack and conveyor belt near the lignite station; biomass 4.4 GW appears as a wood-chip-fed industrial facility with rounded storage silos and a low exhaust plume in the right middle ground; hydro 1.3 GW is a small run-of-river weir with flowing water visible in the lower right foreground; wind offshore 1.0 GW is barely suggested as tiny turbine silhouettes on a distant hazy horizon line. The lighting is early dawn at 07:00 in May — pale blue-grey pre-dawn light seeping through a 100% overcast ceiling, no direct sunlight, no warm tones, just flat cold illumination. The vegetation is early spring — fresh pale-green grass and budding trees, but touched by a light frost at 2.8 °C, with rime on fence posts and panel edges. The atmosphere feels heavy and oppressive, reflecting the high electricity price — low clouds press down on the landscape, the air dense with moisture and coal station steam merging into the cloud base. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich and Carl Blechen — rich tonal depth, visible impasto brushwork in the clouds and steam, meticulous engineering detail on every turbine nacelle, cooling tower ribbing, panel racking, and smokestack structure. Atmospheric perspective fades distant turbines into the grey. No text, no labels.