Solar 42.8 GW dominates the scene as a vast undulating plain of crystalline silicon PV panels stretching across roughly four-fifths of the composition, their aluminium frames glinting under midday light filtered through broken cumulus clouds. Brown coal 2.8 GW appears at the far left as a pair of hyperbolic cooling towers with thin wisps of white steam rising against the cloud-streaked sky. Biomass 4.0 GW occupies the left-centre as a cluster of medium-scale wood-chip power plants with corrugated-steel buildings, conveyor belts, and modest stacks trailing pale exhaust. Natural gas 1.6 GW is rendered as a compact single-stack CCGT plant just behind the biomass cluster, its exhaust barely visible. Hydro 1.5 GW appears as a small concrete run-of-river weir and powerhouse nestled beside a green-banked stream in the middle distance. Wind onshore 0.8 GW and wind offshore 0.5 GW are represented by a handful of tall three-blade turbines on the distant right horizon, their rotors nearly motionless in the calm air. Hard coal 0.6 GW is a single small stack with a faint plume at the far left edge. The time is 1 PM in mid-May: full bright daylight, sky approximately four-fifths covered with grey-white cumulus but with vivid gaps of blue through which strong direct sunlight streams, casting dappled shadows across the PV field. Spring vegetation — fresh bright-green grass, budding deciduous trees — fills the margins. Temperature is mild at 16 °C. The atmosphere is calm and expansive, reflecting the near-zero electricity price — open, unhurried, luminous. Style: highly detailed oil painting in the tradition of Caspar David Friedrich and Carl Blechen — rich layered colour, visible impasto brushwork, atmospheric aerial perspective receding into a hazy horizon — yet with meticulous engineering accuracy on every turbine nacelle, every panel junction box, every cooling tower's parabolic curvature. No text, no labels.