Solar 40.3 GW dominates the scene as a vast expanse of crystalline silicon photovoltaic panels stretching across rolling green spring farmland, covering roughly three-quarters of the composition, their aluminium frames glinting under diffuse but bright afternoon daylight filtered through broken cumulus clouds. Brown coal 2.7 GW appears at the left edge as two hyperbolic concrete cooling towers with thin white steam plumes rising against the partly cloudy sky. Biomass 4.0 GW occupies the left-centre as a cluster of wood-chip-fed power stations with squat boiler buildings and modest chimneys trailing pale exhaust. Natural gas 1.7 GW is rendered as a compact CCGT plant with a single tall exhaust stack and streamlined turbine hall, positioned behind the biomass station. Wind onshore 1.0 GW and wind offshore 0.5 GW are represented by a small group of three-blade turbines on lattice and tubular towers along the distant horizon, their rotors completely still in the calm air. Hydro 1.5 GW appears as a concrete run-of-river weir with spillway visible along a gentle river in the mid-ground. Hard coal 0.5 GW is a single modest smokestack barely visible at the far left. The sky is 77% covered with soft white-grey cumulus clouds but generous gaps allow bright sunshine to pour through, casting dappled light and shadow across the solar fields. Spring vegetation is lush and green at 16.6°C — fresh beech leaves, flowering rapeseed at field margins. The atmosphere is calm and luminous, befitting a near-zero electricity price. Time is 14:00 — full high-afternoon daylight with the sun above and slightly west. Rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich and Carl Blechen — rich saturated colour, visible impasto brushwork, atmospheric aerial perspective with depth receding to a hazy horizon, meticulous engineering detail on every structure. No text, no labels.