Solar 30.9 GW dominates three-quarters of the scene as an enormous expanse of aluminium-framed crystalline silicon photovoltaic panels stretching across gently rolling green spring farmland under full afternoon daylight, panels angled and glinting under a mostly clear sky with thin wisps of high cloud at 22% coverage. Brown coal 2.8 GW appears in the left background as a cluster of massive hyperbolic cooling towers emitting tall white steam plumes, with conveyor belts and lignite stockpiles visible at the base. Biomass 4.0 GW is rendered as a group of medium-sized biomass power stations with timber-clad facades and modest chimneys releasing pale exhaust, positioned mid-left among birch trees. Natural gas 1.6 GW appears as a compact modern CCGT plant with a single tall exhaust stack and a clean metal-and-glass turbine hall at centre-left. Wind onshore 1.5 GW appears as a small group of three-blade turbines on lattice towers standing nearly still in the far right background on a ridge. Hydro 1.5 GW is a small run-of-river weir and turbine house along a gentle stream in the foreground right. Wind offshore 0.5 GW is suggested by a faint line of turbines barely visible on a distant northern horizon. Hard coal 0.5 GW is a single smokestack facility partly hidden behind the brown coal complex. The time is 4 PM in May: warm, full, slightly golden afternoon sunlight casting long-ish but not extreme shadows, fresh green spring foliage on trees and hedgerows, wildflowers dotting the meadows, temperature 18°C conveyed by light haze and comfortable atmosphere. The sky is broad, calm, and open — reflecting a moderate electricity price. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich and Carl Blechen — rich saturated colour, visible confident brushwork, atmospheric depth and aerial perspective, luminous treatment of sunlight on glass and metal, meticulous engineering detail on every turbine nacelle, PV module, cooling tower, and exhaust stack. The painting should feel like a monumental panoramic landscape masterwork of the industrial energy age. No text, no labels.