Brown coal 6.7 GW dominates the left third of the scene as a cluster of massive hyperbolic cooling towers with thick white-grey steam plumes rising into the black night sky, their concrete surfaces lit by amber sodium floodlights; wind onshore 7.6 GW spans the right third as a long row of three-blade turbines on lattice towers silhouetted against a deep-navy sky, red aviation warning lights blinking on each nacelle; natural gas 4.3 GW appears centre-left as two compact CCGT power blocks with single tall exhaust stacks emitting thin heat shimmer, illuminated by harsh halogen work lights; biomass 4.6 GW sits centre-right as a large industrial plant with conveyor belts feeding wood chips, warm golden light spilling from open loading bays; hard coal 3.6 GW is rendered just left of centre as a smaller power station with a single rectangular smokestack and coal bunker, lit by orange security lamps; hydro 1.4 GW appears in the far background as a concrete dam spillway with foaming white water catching floodlight; wind offshore 0.7 GW is suggested by a handful of tiny turbines on the distant dark horizon with faint blinking lights. The sky is completely black — no twilight, no sky glow — a moonless spring night at 21:00. The atmosphere feels heavy and oppressive, haze hugging the ground, conveying the high electricity price. Vegetation is lush mid-spring green visible only where artificial light falls — fresh birch and beech leaves, tall grass. A moderate breeze bends the grass and causes visible motion blur on the turbine blades. No solar panels anywhere. Painted in the style of a highly detailed 19th-century German Romantic oil painting — rich impasto brushwork, deep chiaroscuro contrasts between industrial sodium-amber light and surrounding darkness, atmospheric depth receding into hazy blackness, meticulous engineering detail on every turbine nacelle, cooling tower, and exhaust stack. No text, no labels.