Brown coal 6.8 GW dominates the left quarter of the scene as a cluster of massive hyperbolic cooling towers with thick white steam plumes rising into black sky, lit from below by orange sodium lamps; onshore wind 6.7 GW fills the centre-left as a long ridge of three-blade turbines on lattice towers, red aviation warning lights blinking on nacelles, blades visibly turning in moderate wind; natural gas 4.3 GW appears centre-right as two compact CCGT plants with slim exhaust stacks venting heat shimmer, lit by harsh industrial floodlights; hard coal 3.6 GW sits further right as a dark coal-fired station with a single large chimney and conveyor belt structures under spotlights; biomass 4.1 GW is rendered as a mid-sized wood-chip combustion facility with a smoldering glow behind grated furnace doors and a modest stack; hydro 1.3 GW appears in the far right background as a small concrete dam with illuminated spillway; offshore wind 0.4 GW is a faint suggestion of distant turbine lights on the horizon. The sky is completely black, deep navy at best, no twilight whatsoever—a 1 AM spring night, stars barely visible through a perfectly clear atmosphere. The ground is fresh spring green grass and budding deciduous trees, visible only where artificial light falls. Temperature is mild at 10°C, a slight mist clings low. The atmosphere is heavy and oppressive, reflecting the high electricity price—thick industrial haze hugs the facilities, sodium-orange light casts long shadows, smoke and steam merge overhead. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich and Carl Blechen—rich impasto brushwork, dramatic chiaroscuro, atmospheric depth, yet with meticulous engineering accuracy on every turbine nacelle, cooling tower rib, gas-stack flange, and conveyor truss. No text, no labels.