Brown coal 6.7 GW dominates the left quarter as a complex of massive hyperbolic cooling towers with thick white steam plumes rising into the black sky, lit from below by sodium-orange industrial floodlights; onshore wind 6.0 GW occupies the centre-left as a long row of three-blade turbines on lattice towers, their rotors turning slowly, red aviation warning lights blinking at their nacelles; natural gas 4.2 GW appears centre-right as a pair of compact CCGT plants with tall single exhaust stacks emitting thin transparent heat shimmer, illuminated by white security lighting; biomass 4.2 GW is rendered as a mid-sized industrial facility with a cylindrical silo and a modest smokestack beside stacked timber, warm interior glow spilling from high windows; hard coal 3.6 GW sits to the right as a conventional power station with a large rectangular boiler house and conveyor belts feeding coal hoppers, spotlit in amber; hydro 1.3 GW appears as a small concrete dam structure in the far right background with water cascading faintly visible under floodlight; offshore wind 0.3 GW is barely suggested as a single distant turbine silhouette on the far horizon. The sky is completely black — no twilight, no moon, a deep-navy dome with scattered stars visible only where steam plumes thin out. The season is early May: fresh green grass and young birch leaves in the foreground caught by artificial light. The atmosphere feels heavy and oppressive, a faint industrial haze diffusing the lights, reflecting the high electricity price. A small river in the mid-ground mirrors the orange and white lights of the industrial plants. Rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape masters — rich, dark palette of blacks, deep blues, warm ambers and muted greens, visible confident brushwork, atmospheric depth with sfumato haze around distant structures, meticulous engineering accuracy on every turbine blade, cooling tower curve, and exhaust stack. No text, no labels.