Solar 30.4 GW dominates the scene as an immense foreground and middle-ground expanse of aluminium-framed crystalline silicon PV panels stretching across gently rolling spring fields, occupying roughly two-thirds of the canvas. Biomass 4.5 GW appears as a cluster of wood-chip-fed power stations with modest stacks and steam wisps at centre-left. Brown coal 3.8 GW rises at the far left as a pair of hyperbolic concrete cooling towers with thick white steam plumes drifting into the overcast. Wind offshore 2.4 GW is suggested by a row of tall three-blade turbines on the distant grey horizon line, rotors barely turning. Wind onshore 2.1 GW shows as a small group of lattice-tower turbines on a low ridge behind the solar field, blades nearly still. Natural gas 2.3 GW is rendered as a compact CCGT plant with a single tall exhaust stack and thin heat shimmer, tucked to the right of the cooling towers. Hydro 1.3 GW appears as a small concrete dam and penstock visible in a narrow valley at far right. Hard coal 0.5 GW is a single slender smokestack barely visible behind the biomass cluster. The sky is a uniform 100% overcast — a luminous, pearly grey blanket with no blue, no direct sun, yet full diffuse May-morning daylight at 09:00. The light is soft and shadowless, giving the thousands of PV panels a muted silver-blue gleam. Temperature near 10 °C: fresh spring vegetation — pale green grass, budding deciduous trees, some remaining brown patches — covers the rolling terrain. The air is still, no wind motion in foliage or turbine blades. The mood is calm and quiet, reflecting the low 11.2 EUR/MWh price — open, spacious, unhurried. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape masters — Caspar David Friedrich's atmospheric depth meets industrial realism — rich layered colour, visible confident brushwork, meticulous engineering detail on every turbine nacelle, every panel junction box, every cooling tower's ribbed concrete shell. No text, no labels.