Brown coal 7.5 GW dominates the left third of the scene as a massive lignite power station with four hyperbolic cooling towers emitting thick white-grey steam plumes into the black sky, lit from below by amber sodium floodlights; onshore wind 8.9 GW spans the centre-right as a long receding line of tall three-blade turbines on lattice towers, their red aviation warning lights blinking against the darkness, rotors visibly turning in moderate wind; natural gas 4.8 GW appears centre-left as a compact CCGT plant with twin slender exhaust stacks and a smaller vapour plume, its turbine hall glowing with interior fluorescent light; hard coal 3.6 GW sits behind the brown coal station as a second cluster of rectangular boiler buildings with a single tall chimney trailing thin smoke; biomass 4.1 GW is rendered as a wood-chip-fed CHP facility in the mid-ground with a conical fuel silo and a modest stack; hydro 1.3 GW appears as a small run-of-river weir with illuminated sluice gates in the foreground, river water faintly reflecting industrial lights; offshore wind 0.5 GW is suggested as tiny distant blinking lights on the far horizon. The sky is completely dark, deep navy-black at 1 AM, 95% cloud cover making the overcast ceiling low and oppressive — no stars, no moon visible — the heavy atmosphere conveying the high electricity price. Spring foliage on scattered birch and linden trees is barely discernible in the artificial light, leaves fresh green where caught by lamps. The overall mood is weighty and industrial yet grandly composed. Rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape art — rich, dark colour palette of deep indigos, warm ambers, and cool greys, visible confident brushwork, atmospheric depth achieved through layered haze and steam, meticulous engineering detail on every turbine nacelle, cooling tower shell, and exhaust stack, evoking both the sublime scale of Caspar David Friedrich and the industrial precision of Adolph Menzel. No text, no labels.