Brown coal 7.1 GW dominates the left quarter of the scene as a cluster of massive hyperbolic cooling towers with thick white steam plumes rising into the overcast sky, surrounded by lignite conveyor belts and open-pit mine scars in dark earth. Hard coal 3.2 GW appears just to the right as a smaller coal-fired station with rectangular chimneys and thin grey smoke. Natural gas 3.0 GW sits as a compact modern CCGT plant with a single tall exhaust stack and subtle heat shimmer near centre-left. Solar 21.1 GW fills the broad centre and right-centre as vast fields of aluminium-framed crystalline silicon PV panels stretching across flat agricultural land — panels reflect only the dull grey-white of the overcast sky, no direct sunlight, no glare, no shadows. Wind onshore 12.4 GW spans the right third as dozens of tall three-blade turbines on lattice and tubular towers, rotors visibly turning in moderate wind, scattered across rolling green spring hills with fresh but cool vegetation — grass bright green, scattered wildflowers, bare patches on some trees suggesting early-May growth at 8°C. Wind offshore 3.0 GW appears on the far-right horizon as a row of turbines standing in a grey, choppy North Sea glimpsed between land features. Biomass 4.1 GW is rendered as a mid-sized industrial facility with wood-chip storage silos and a low smokestack with pale exhaust, tucked between the coal complex and the solar fields. Hydro 1.4 GW appears as a small concrete run-of-river weir with white water cascading, positioned in a stream in the foreground valley. Sky is entirely overcast with a uniform heavy grey cloud layer at midday — full diffuse daylight, bright but shadowless, no sun disc visible. The atmosphere is thick, slightly oppressive, reflecting the 105.5 EUR/MWh price tension. Cool spring air suggested by mist in low-lying areas and dew on panel surfaces. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painting — Caspar David Friedrich meets industrial realism — rich colour palette of steel greys, moss greens, coal blacks, and ivory steam, visible impasto brushwork, atmospheric aerial perspective with distant features fading into haze, meticulous engineering accuracy on all technology components. No text, no labels, no human figures.