Wind onshore 21.5 GW dominates the right two-thirds of the scene as vast ranks of three-blade turbines with white tubular towers and aerodynamic nacelles stretching across rolling dark farmland into the distance, rotors spinning visibly in the night wind; brown coal 7.0 GW occupies the far left as a cluster of massive hyperbolic cooling towers emitting thick white steam plumes lit from below by sodium-orange industrial lighting; wind offshore 6.1 GW appears as a distant line of taller turbines on the horizon with red aviation warning lights blinking; natural gas 4.9 GW is rendered as two compact CCGT plants with single tall exhaust stacks and modest heat shimmer beside the coal complex; hard coal 4.7 GW sits adjacent as a smaller power station with rectangular boiler house and a conveyor belt silhouette; biomass 4.0 GW is a modest plant with a rounded silo and low chimney glowing warmly near the centre-left; hydro 1.6 GW appears as a small dam structure with illuminated spillway at the lower left edge. The sky is completely black, a deep navy-black dome with no twilight, no sky glow — only sharp pinpoint stars visible through perfectly clear 1% cloud cover. The 4.2°C May night leaves early spring foliage barely visible in the darkness, fresh green buds on scattered trees caught only in patches of artificial light. The atmosphere is heavy and oppressive despite the clear sky, reflecting the high 95.3 EUR/MWh price — a strange brooding tension in the air, a faint industrial haze clinging low to the ground. Sodium streetlights cast amber pools along a road winding through the turbine field. The entire scene is rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich impasto brushwork, dramatic chiaroscuro between the deep black sky and the glowing industrial facilities, atmospheric depth receding into darkness, meticulous engineering detail on every turbine nacelle, cooling tower, and exhaust stack. No text, no labels.