Wind onshore 21.5 GW dominates the right half and background as vast rows of three-blade turbines on lattice towers stretching across rolling green hills, rotors spinning briskly in strong wind; wind offshore 5.2 GW appears as a distant cluster of taller offshore turbines visible on a grey horizon line at far right. Solar 19.2 GW fills the centre-right foreground as extensive fields of aluminium-framed crystalline silicon PV panels on gentle slopes, their surfaces reflecting only the flat grey light of a completely overcast sky — no sun disk visible, no shadows. Brown coal 7.2 GW occupies the left third as a massive lignite power station with three hyperbolic concrete cooling towers emitting thick white steam plumes that merge into the low cloud ceiling. Hard coal 3.8 GW sits left of centre as a smaller coal plant with rectangular boiler houses and a tall brick chimney trailing darker smoke. Natural gas 2.9 GW appears as a compact modern CCGT facility with a single sleek exhaust stack and smaller vapour plume, positioned centre-left. Biomass 4.0 GW is rendered as a cluster of wood-clad biomass combustion halls with short stacks and modest steam, near the coal plants. Hydro 1.6 GW shows as a small concrete run-of-river weir with foaming water in the lower-left foreground. The sky is entirely overcast — heavy, uniform grey stratus clouds pressing low, creating an oppressive, weighty atmosphere reflecting the high electricity price. The lighting is full diffuse daylight appropriate to 09:00 in May — no direct sunlight, no shadows, but ample ambient brightness illuminating the scene evenly. The temperature of 5.2°C is conveyed by fresh spring-green vegetation still sparse on trees, with breath-like mist near the river. Wind visibly bends the grass and young leaves. Painted in the style of a highly detailed 19th-century German Romantic oil painting — rich, saturated earth tones and steel greys, visible impasto brushwork, deep atmospheric perspective with haze softening distant turbines, meticulous engineering detail on every nacelle, panel frame, cooling tower, and smokestack. The composition evokes Caspar David Friedrich's sense of sublime scale, but applied to industrial infrastructure. No text, no labels, no people in the foreground.