Wind onshore 18.9 GW dominates the right half and receding background as dozens of tall three-blade wind turbines with lattice towers stretching across rolling dark hills, their aviation warning lights blinking red; brown coal 7.6 GW occupies the left foreground as a cluster of massive hyperbolic concrete cooling towers emitting thick white-grey steam plumes lit from below by sodium-orange industrial lamps; natural gas 5.8 GW sits left of centre as compact CCGT power blocks with tall single exhaust stacks venting thin heat shimmer; hard coal 4.2 GW appears as a conventional coal plant with rectangular boiler house and twin smokestacks trailing dark wisps, positioned behind the gas units; biomass 4.1 GW is rendered as a smaller industrial facility with a domed biogas digester and short chimney glowing faintly; wind offshore 3.2 GW is suggested on the distant far-right horizon as a faint line of turbine lights over a dark sea; hydro 1.4 GW appears as a concrete dam with spillway in a valley at far left. Time is 04:00 at night — the sky is completely black, no twilight, no stars visible due to 98% overcast, a heavy low ceiling of clouds faintly reflecting the orange sodium glow of the industrial complex below. Temperature is a chilly 6.8°C in mid-May — sparse new spring foliage on deciduous trees, grass still dull and dew-covered. Wind at 18 km/h animates the turbine blades and bends young branches. The atmosphere is heavy and oppressive, reflecting the elevated electricity price — thick clouds press down on the landscape. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich, with rich dark tones, visible impasto brushwork, dramatic chiaroscuro, atmospheric depth and mist, meticulous engineering detail on every turbine nacelle, cooling tower rib pattern, and gas-plant exhaust stack. No text, no labels.