Wind onshore 16.0 GW dominates the right half of the canvas as dozens of tall three-blade turbines with white tubular towers and aerodynamic nacelles, rotors visibly spinning in moderate wind, stretching across rolling green spring hills into the misty distance. Solar 15.3 GW occupies the centre-right foreground as vast arrays of aluminium-framed crystalline silicon PV panels on open farmland, their surfaces reflecting only the flat grey light of a completely overcast sky—no sun visible, no shadows cast. Brown coal 7.7 GW fills the left quarter as a massive lignite power station with four hyperbolic concrete cooling towers releasing thick white steam plumes that merge into the uniform cloud ceiling. Natural gas 6.1 GW appears centre-left as two sleek combined-cycle gas turbine blocks with tall single exhaust stacks venting thin heat shimmer. Hard coal 4.5 GW sits behind the gas plant as a gritty conventional boiler house with conveyor belts and a single broad smokestack. Biomass 4.4 GW is rendered as a mid-sized wood-chip-fed plant with a domed storage silo and a modest stack near the centre. Hydro 1.4 GW appears as a small concrete run-of-river weir on a stream in the left foreground. Wind offshore 1.2 GW is hinted at on a distant grey horizon line as a faint row of offshore turbines. The sky is 100% overcast—a heavy, oppressive, unbroken blanket of grey stratus pressing low, conveying the elevated 126.7 EUR/MWh price as atmospheric weight. The light is soft full-daylight at 08:00 Berlin time in mid-May—diffuse, even, no direct sunlight, no shadows, everything illuminated but dull. Temperature is a cool 7°C: spring vegetation is fresh green but restrained, perhaps with dew on grass, bare patches on higher ground, a few trees only half in leaf. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape masters—Caspar David Friedrich's atmospheric grandeur crossed with Adolph Menzel's industrial precision—rich layered colour in muted greens, greys, and slate blues, visible confident brushwork, deep atmospheric perspective receding into haze, meticulous engineering detail on every turbine nacelle, panel frame, and cooling tower. No text, no labels, no people.