Wind onshore 12.0 GW dominates the right third of the scene as dozens of three-blade turbines with white tubular towers and detailed nacelles stretching across rolling green hills, blades turning in moderate wind; brown coal 7.7 GW occupies the left quarter as massive hyperbolic cooling towers emitting thick pale steam plumes rising into the overcast sky, with conveyor belts carrying lignite visible at ground level; natural gas 5.7 GW appears center-left as compact CCGT power blocks with tall slender exhaust stacks releasing thin heat shimmer; hard coal 4.1 GW sits behind the gas plant as a dark industrial complex with shorter stacks and coal yards; biomass 4.4 GW is rendered center-right as a cluster of wood-chip-fed combined heat and power plants with modest chimneys and timber storage areas; solar 3.9 GW appears as a small field of aluminium-framed crystalline silicon panels in the mid-ground, their surfaces dark and reflecting no light under the overcast sky; hydro 1.4 GW is a concrete dam with spillway visible in the far background valley; wind offshore 0.6 GW appears as a tiny cluster of turbines on the distant horizon line. The sky is a dusk scene at 19:00 in May — the lower horizon holds a narrow band of dim orange-red glow rapidly fading, with the rest of the sky filled by heavy, unbroken stratus clouds in deep slate grey, creating a thick oppressive atmosphere reflecting the high electricity price. The landscape is lush mid-spring — fresh green deciduous trees and grass at 10°C, damp air suggesting recent rain. The overall mood is brooding and industrial. Rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich and Carl Blechen — rich layered colour, visible impasto brushwork, dramatic atmospheric depth, golden-amber artificial lighting beginning to glow from plant windows and sodium streetlamps contrasting against the fading natural light. Meticulous engineering accuracy on all infrastructure. No text, no labels.